The two men separated, taking several long strides in opposite directions, and began to swing the rats over their heads, voices out of sync, shouting something about a specter. The face of the man who sliced pastrami hovered above his machine, eyes undecided, and the patrons didn't know how to react. Then they did, half frantic, ducking the arc of the circulating rats. A couple of people pushed through the kitchen door, disappearing, and general movement ensued, with toppled chairs and bodies spinning off the stools.
Eric was rapt. He was held nearly spellbound. He admired this thing, whatever it was. The bodyguard was at the counter, speaking into his lapel. Eric extended an arm, indicating there was no need for the man to take action. Let it express itself. People called out threats and curses that overwhelmed the voices of the two young men. He watched the nearest guy get jumpy, eyes beginning to drift. The threats sounded ancient and formulaic, one phrase eliciting the next, and even the remarks in English had an epic tenor, deathly and stretchable. He wanted to talk to the guy, ask him what the occasion was, the mission, the cause.
The countermen were armed by now with cutlery.
The men flung the rats, stilling the room again. The animals tail-whipped through the air, hitting and rebounding off assorted surfaces and skimming tabletops on their backs, momentum-driven, two lurid furballs running up the walls, emitting a mewl and squeak, and the men ran too, taking their shout out to the street with them, their slogan or warning or incantation.
-- DeLillo, Cosmopolis